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Universal Omni directional Microphone / Active 60V Powering
(Black/Silver)
Sonodore Microphone RCM-402
Design Features
The special form of the microphone body, with a relatively long and narrow
tube behind the capsule, results in a sound environment with minimal reflective
interactions directly in front of the capsule.
Weight
The microphone body is made of high-grade stainless steel, which provides
high mass. As a result, vibrations and resonance from the microphone body are
minimised.
Materials
Only materials of the highest quality are used to ensure maximum reliability
under tough professional use.
This means:
· use of gold-plated contacts only
· electronic components are selected for their proven quality in audio specific
equipment, handpicked,
and individually tested.
· the microphone membrane is made of titanium for the highest possible
sensitivity and durability
· oxygen-free copper cables between the microphone and the power supply
· specially coated circuit boards for optimal protection against damp and
moisture
· use of a special process for the production of printed circuit boards, which
ensures the purity of the copper
pathways, resulting in greater stability and performance of the circuit
design.
Power supply
As part of the initial Sonodore philosophy, all microphone models, except the
RCM-402/48V, are 'active' powered via a separate power supply (PS-402), instead
of using standard phantom power. Phantom-fed microphones are inherently less
suitable for high-quality audio usage since they work as compressors: when, for
instance, high dynamics are required, strong demands are made on the current
supply of the phantom. As a result, the current supply drops drastically and the
stereo image and frequency response collapse with it. To avoid this, the RCM-402
is available in a version with a separate power supply which allows a high-grade
and exceptionally low-distortion amplifier to be placed directly in the
microphone body.
Sonodore Sound Quality
The sonic qualities of Sonodore microphones are comparable to all major
brands, but with specific improvements, namely:
· clearer placement of musical instruments within the stereo sound field
· exceptionally fast reaction time to intermittent high impulse sound waves
· extreme clarity and definition of complex low frequency sounds
· measurably less distortion across the entire sound spectrum
· Sonodore microphones do not leave a ‘hole’ in the middle of the stereo image
when used in a
standard A-B setup, as is explained below.
A
better stereo image
In general, main microphone systems utilise 16 mm capsules. If the main
system consists of two microphones, then the musical instruments that are in the
middle of the stereo picture will have less presence and will sound somewhat
dull. This is due to the fact that the frequency characteristic decays in those
situations in which the signal arrives at the capsule from oblique
directions.The placement of a third microphone between the main stereo pair will
solve this problem only partially and, in addition, new problems will be created
by the resulting phase characteristics of the third microphone and the existing
pair. The only elegant solution to this problem is to increase off-axis
sensitivity.
| Off Axis |
Typical |
Sonodore |
| +/- 45º |
-3 dB |
-2 dB |
| +/- 60º |
-5 dB |
-3 dB |
| +/- 90º |
-10 dB |
-6 dB |
| +/- 135º |
-15 dB |
-7 dB |
|
Attenuation of a 12,5 kHz tone in comparison with 1 kHz/0 dB |
The table clearly shows that a higher off-axis sensitivity
results in less attenuation, which means that the well known effect of the ‘hole
in the middle’ can be effectively eliminated without the use of additional
microphones.
Virtually distortion-free
In addition, Sonodore microphones are built with specially designed
electronic circuitry which remains virtually distortion-free under extreme
conditions. The tables below compare the distortion percentages of the amplifier
circuit of a microphone commonly used for CD recording by well-known companies
and the Sonodore RCM-402. For reference purposes 50m of cable was utilised with
a signal equivalent to 90 dB SPL and 130 dB SPL, respectively.
| THD |
Microphone X |
Sonodore |
| 1 kHz |
0,0027% |
0,0005% |
| 10 kHz |
0,0040% |
0,0010% |
| Amplifier THD difference
at 90 dB SPL |
| |
|
|
| THD |
Microphone X |
Sonodore |
| 1 kHz |
0,21% |
0,0004% |
| 10 kHz |
0,21% |
0,0013% |
| Amplifier THD difference
at 130 dB SPL |
The Sonodore philosophy
The Sonodore line was developed in order to make the quality specifications
of custom-built equipment available to a broad group of professional users. All
Sonodore products combine new and original circuit designs with hand-made
craftsmanship in which all components are specially selected and assembled.
Durability, mechanical stability, and sound quality are central requirements of
the Sonodore line of products, which must be met by every component and design.
All our products are the result of intensive interaction between
designer and user, and are constantly being refined as a result of feedback from
professional recording engineers and producers. During the design phase,
measurements as well as listening tests play an important role.


|
Technical Specifications |
| Capsule
type: |
prepolarised condenser microphone capsule |
| Principle
of operation: |
pressure |
| Directional
pattern: |
omnidirectional |
| Frequency
response: |
5 Hz to 20,000 Hz |
| Sensitivity
at 1 kHz: |
40mV/Pa |
| Equivalent
noise level: |
A-weighted
typically 15.5 dB |
| Maximum
sound pressure level: |
143 dB SPL
peak |
| Temperature
coefficient: |
+0.005
dB/ºC |
| Output
impedance: |
39 Ohms |
| Cable drive
capability: |
> 100m |
| Powering: |
via
separate power supply (60V) |
| Weight: |
135g |
| Length: |
177mm
(6.97”) |
| Capsule
diameter: |
12.8mm
(0.5”) |
| Base
diameter: |
21mm
(0.83”) |
| Matching
connector (to microphone): |
4-pin XLR
female |
|
As an option, capsules with different
frequency responses can be supplied for use in various recording
situations. |

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